I slapped together a 1080p test sequence that included a myriad of files (4K RED One, ProRes, C300 XF MPEG2, GH2, 4K M-JPEG from a Canon 1DC, H.264 from a Canon 5D, AVC-Intra, etc.). Simply access the copied camera files using the Media Browser import these into your project drop clips onto the timeline and start editing. Premiere Pro CC and Adobe Media Encoder CC now take full advantage of these rendered preview files for faster exports, too.Īlthough I personally prefer to work with trancoded media, Premiere Pro CC is better than ever with a variety of native camera formats. However, it’s now easier to create custom sequence presets with ProRes or DNxHD as your render format. There is no built-in transcode function, so if you prefer to work with transcoded media, use Adobe Media Encoder CC or Prelude CC to prepare your files before editing. Standard full waveforms are also available.Īdobe has integrated more use of compression codecs, like the ProRes and DNxHD families, but the design intent is to edit as much as possible with native camera media. Cosmetically the biggest thing most users will notice is the move to graphical half-waveforms, not unlike waveforms in Final Cut Pro X. Premiere Pro CC also sports a few minor user interface tweaks to get rid of a little more wasted space. One example is the ability to move a clip vertically in the track hierarchy by selecting it and using the Option+Up/Down Arrow keystroke. More of these were added in the 7.0.1 update. Essentially this means adding or changing commands to make editing more fluid, as well as integrate functions that are second nature to experienced Media Composer and Final Cut Pro editors. Premiere Pro CC continues the enhancement of operator commands and features loosely referred to by Adobe as “editing finesse”. At the time of this review, Premiere Pro CC has already been updated from version 7.0 to 7.0.1, which brought with it many new user features, as well as some bug fixes. These plug-ins must be moved to the CC plug-ins folders or re-installed from updates, in order to be accessible within the CC applications.Īdobe has promised faster software updates thanks to this new subscription model and so far they have made good on that. With the exception of the FxFactory filters, most plug-ins that you have installed for CS6 will not show up in your CC effects palettes. If you still need Adobe Encore for DVD/Blu-ray authoring, the CS6 version is still required, since there won’t be a new CC version. If you don’t want the CS6 versions on your system any longer, you’ll have to go through the usual de-authorization and uninstall steps as you have previously done with Adobe software. If you already have CS6 versions of the software installed, the new CC software will not overwrite these files, but the Creative Cloud application will manage both versions for any necessary updates. When you do this, you also get Adobe Media Encoder CC, Cinema4D Lite and the Color Finesse and Mocha plug-ins for After Effects. I would highly recommend downloading and installing not just Premiere Pro CC, but also Prelude CC, Audition CC, After Effects CC, SpeedGrade CC and Photoshop CC at the very minimum. As an individual or Team subscriber, you have access to all of Adobe’s content creation tools therefore, you should install as many applications as you find useful. This manages aspects of your Creative Cloud account, including installation and updating your software. To install Premiere Pro CC, you first install the Creative Cloud desktop application. If you’ve been sitting on the fence about whether Premiere Pro CC is good enough to either adopt the Cloud or to move beyond FCP 7 or Premiere Pro CS6, then let me re-assure you. This year Adobe has introduced the next version – Premiere Pro CC – as part of its Creative Cloud subscription model. Adobe responded with software that delivered both performance and a familiar look-and-feel. Many of these editors were looking for the next generation of nonlinear editing software after Final Cut Pro changed direction. Adobe started to receive serious interest from the professional video community with the introduction of Adobe Creative Suite 6 Premiere Pro.
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